Corrections and Controversies
Beethoven: Symphony No. 5, Op. 67, Kalmus Edition
(courtesy Mike Rutledge)
Fourth Movement: bar 557, 1st Flute, cues are for Oboe, not Clarinet
Brahms: Symphony No. 2, Op. 73, Kalmus Edition
(courtesy Mike Rutledge)
Fourth Movement: bars 368-369, 1st Flute, beat four should be quarter
note F tied to same quarter note F on 1st beat of bar 369 (instead of the A
natural written)
Donizetti: Linda Di Chamounix Overture, Kalmus Edition
(courtesy Mike Rutledge)
One bar before first key change/Allegro Vivace, 1st Flute, F# should be trilled.
Dvorak: Symphony No. 7, Op. 70, Kalmus Edition (courtesy
Mike Rutledge
Fourth Movement: rehearsal letter L, 1st Flute, D minor key signature is
missing at double bar
Dvorak- Stabat Mater, Kalmus edition
First movement: measures 14 and 18, flute 1: the note should be F
natural, not F#
Fifth movement: bar 35, both parts: the rhythm should be a
dotted quarter tied to an eighth note, followed by 2 eighth rests
Ninth movement: bar 38, both parts: delete the slur
leading into this bar.
Elgar: Enigma Variations, Op. 36, Kalmus Edition
(courtesy Mike Rutledge)
Variation XIV (Finale): rehearsal number 82, 1st Flute, whole note should
be Bb, not B natural
Schubert, Symphony No. 2, Kalmus Edition (courtesy Mike
Rutledge)
Fourth Movement: bar 212, 1st Flute, should be F natural,
not F#
Shostakovich- Cello Concerto No. 1
1 before rehearsal #30, both parts- play an octave higher
3 after rehearsal #57, piccolo part- add a crescendo
Sibelius: Symphony No. 2, Op. 43, Kalmus Edition
(courtesy Mike Rutledge)
Fourth Movement: bar 335, 1st Flute - 2nd beat is typically played w/ B
natural as in m. 337, (though I've had conductors play it w/ Bb in some
performances).
Tchaikovsky- Symphony No. 6, Breitkopf and Hartel
edition
First movement: bar 76, 2nd flute- the second beat should be
slurred.
-2nd flute, bar 119, 4th beat- the first note is G natural, not G#
-all parts, bar 160- this bassoon I cue is usually played by the bass clarinet.
-2nd flute, bar 241- the 16ths in the second beat should be slurred.
-2nd flute, bar 267- the first 2 beats should have a slur over them.
-3rd flute, bar 311- the last 3 notes should be slurred.
Second movement: 3rd flute, bars 82-83- the whole phrase
should be slurred.
Third movement: 2nd flute, bars 1-2 and 163-164- these
cues are played by the 2nd violins, not the 1st violins.
2nd flute, bar 258- the last 5 notes should be slurred together.
2nd flute, bar 265- the second and third notes should be slurred together.
Fourth movement: all parts, bar 82- this is a one bar
rest, not a two bar rest. There should be 7 bars between the Andante at bar 82
and letter G.
Tchaikovsky: Symphony No. 2, Op. 17, Kalmus
Edition (courtesy Mike Rutledge)
Fourth Movement: 3 bars after rehearsal letter B, 1st Flute, second beat
quarter note should be D.
Wagner: Overture to Die Meistersinger von Nurnberg, Kalmus
Edition (courtesy Mike Rutledge)
Bar 28, 1st Flute, fourth beat, third sixteenth note should be an E, not an F
